ONCE WE RULED THE WORLD - THE FISHERMAN (2024)
Dinosaurs, captivating across ages and cultures, hold a prominent place in Earth's history, contrasting with the relatively young Homo sapiens, who emerged 300,000 years ago. Herck reflects on humanity's evolution amidst the digital revolution. The extinction of non-avian dinosaurs 66 million years ago paved the way for mammals and eventually humans. Despite lacking physical prowess compared to dinosaurs, humans dominate as apex predators due to advanced cognitive abilities, tools, and social structures.
The project's title, "Once We Ruled The World," inaugurates a captivating series of monumental installations intertwining human and dinosaur skeletons, serving as a poignant exploration of human ego and vanity. The artist's introspection is evident in the exact replication of his own skull, prompting deeper reflection on themes of extinction and evolution.
In a speculative portrayal of cohabitation in the 21st century, the potential reintroduction of dinosaurs alongside Homo sapiens suggests a renewed risk of extinction. The prospect of domestication for sustenance, labor, and companionship invites contemplation on the cyclical patterns of dominance and decline. Notably, within the specific installation titled "The Fisherman," a symbolic narrative unfolds as a representation of human ego engages in unconventional fishing atop a plesiosaurus. Here, the fusion of ancient and modern elements—such as the use of a USB wire for fishing—serves as a poignant commentary on the encroaching digital revolution and the potential emergence of new human species, ultimately challenging the reign of Homo sapiens.
Technical Details:
H: 10.460 x W: 2.659 x L: 7.360 cm
Weight 4.500 kg
Fibreglass/Polyester and steel.
Ordingen Castle - Belgium
Venice Biennale 2024
In conjunction with the 60th International Art Exhibition of the Venice Biennale - BiennaleArte 2024, set to unfold from Saturday, April 20 to Sunday, November 24, 2024, thedistinguished Belgian contemporary artist, Tom Herck, unveils his avant-garde public artinstallation, "Once We Ruled the World." Gracing the serene Garden of Palazzo Balbi Valier,this installation asserts a compelling presence, visible from the historic Grand Canal inVenice, Italy.
The focal point of this installation, "Once We Ruled the World," stands as a monumental testament to Herck's artistic prowess, featuring a skeletal sculpture that stretches to an imposing height. This sculptural marvel symbolizes the intricate relationship between humans and the bygone era of dinosaurs, igniting a reflective discourse on our historical connections, ecological impact, and the nuanced aspects of human vanity.
Echoing Herck's insightful perspective, the work masterfully captures the essence of Venice as a city teetering between its glorious past and an uncertain future. With a profound resonance to the theme of transience, the installation serves as a poignant 'Memento Mori,' echoing the city's his-torical struggle with existential threats that swept through Venice during the historic plagues.
The installation, in its symbolic representation, bridges the gap between the past and the present, inviting viewers to contemplate Venice's enduring spirit and its ability to navigate the uncertainties through time. Through this majestic representation, Herck probes the dualistic nature of humanity'sexistence as both guardians and conquerors of ancient life, challenging viewers to contemplate our role in the continuum of time and our influence on Earth's future. His work, steeped in themes of dominion and existential cycles, resonates profoundly with the Biennale's thematic explorations, positioning itself as a bold and introspective commentary on the evolution of human interaction with the natural world.
Herck's artistic endeavor seamlessly integrates the tangible realm of sculpture with the immersive world of artificial reality (AR), offering an interactive experience accessible through a visible QR code. This innovative approach not only enhances the physicality of the sculpture but also invites the audience into a multi-layered experiential journey, melding traditional art forms with digital interactivity."Once We Ruled the World" is not merely an artistic expression; it is a conduit for introspection and dialogue.
By bridging the past with the present, Herck's installation invites us to ponder our collective responsibilities and the legacy we leave behind, firmly establishing his installation as a landmark contribution to the Venice Biennale 2024.I n conclusion, Tom Herck's contribution to the Venice Biennale is not just an exhibition of extraordinary art; it is an invitation to a profound exploration of history, mortality, and the human journey. His installations, a powerful medium for reflection and dialogue, underscore his ability to inspire and shape our collective future. Herck's work, embedded with a deep commitment to societal reflection and discourse, positions him as a significant voice in contemporary art, continually exploring new narratives and challenging boundaries with diverse and unconventional mediums. “
PRODUCTION
CT Scan of the artists skull
Special Thanks: Brons Atelier Zottegem, Heylen Metaalwerken, Kasteel van Ordingen, Drooghmans, LM Hekwerk, VB Beton.
Vernissage and Finnisage in Venice by Altamura Distilleries.
Pictures By Eric Jamar, Debby Termonia, Flip Nuytens, Guy Wijnants, Anita Ilsbroux, Rohnny Vandersmissen.